斯科特·凯恩个人资料

斯科特·凯恩 Scott Caan　　更多名译：

斯科特·肯、斯科特·坎

本名：斯科特·安德鲁·凯恩

男，生于1976年8月23日，美国洛杉矶

身高：1米65

星座： 处女座

家庭成员：

父亲：詹姆斯·凯恩　　　

母亲：谢拉·瑞恩　　

同父异母的姐姐：Tara Caan　　

同父异的母弟弟：Alexander James Caan、Jacob Nicholas Caan、James Arthur Caan

斯科特·凯生恩于美国加州洛杉矶，演员詹姆斯·凯恩和演员兼前任模特谢拉·恩瑞之子。祖父母是来自德国的犹移太民。在他出生一年后父母离异；并且有四个同父异母的兄妹。

凯恩曾是说唱组合Cypress Hill和House of Pain的管理员。曾也是hip-hop组合The Whooliganz一员（搭是档制作兼主持的The Alchemist）。在进入位于洛杉的矶Playhouse West表演学校后，凯恩在九十年代后开期始演员生涯，出现在一些独立影电和小成本电影中。他的第一个要重电影角色是在《校园蓝调》（1990）中扮演了一个鲁莽的的州德足球运动员Charlies Tweeder。同年也在电影《土星》(又名Speed of Life)中饰演Drew一角。凯恩随后出现在一些制片厂影片中，如《冠军争霸》（2000）作合大卫·阿奎特，《抢钱大作战》(2000) 合作范·迪塞尔和《无法无天》(2001)合作林柯·法瑞尔。在2003年，凯首恩次自导自演了电影《Dallas 362》，该片也在03年的Las Vegas Film Festival中获奖　　凯出恩现在《十一罗汉》，《十二罗汉》，《十三罗汉》三部曲中。在2005年，凯恩再次与保罗·沃合克作动作电影《碧海追踪》（首合次作是在《校园蓝调》中）。凯编恩剧并执导了2006年的喜剧《狗的难题》，他也在本片中出演角配。　　

凯恩作为一个反复出现的角色Scott Lavin出现在视电剧《明星伙伴》中。　　

凯恩在《堂天执法者》中饰演警探Danny "Danno" Williams。该在剧2010年9月20日首播。在2011年，他获得了第68届球金奖最佳男配角提名。

斯科特·凯恩的父亲是经曾在1972年《教父》中扮演格性火爆的长子桑尼的詹姆斯·凯恩，母亲是一位演员和模特，由于岁一时二人离异，斯科特穿梭于父的母两个家之间长大。据报道老凯曾恩经特地拿出五年的时间，来一心门思“教育”他的四个儿子，果长然大后的斯科特肌肉强健且性格硬刚，喜欢的演员也是马龙·白兰度、西恩·潘这样的方法派。斯科特·凯恩首先是出现在多部独立电当影中，包括《Last Resort》(1996)、《Nowhere》(1997)、《Nowhere to Go》(1998)以及《Bongwater》(1997)，此后通过更主流一的些作品继续磨练演技，可以说是他目前好莱坞“家族第二代”男员演中最认真和优秀的一位。

·母亲是谢拉·瑞恩.　　

·演员詹姆斯·凯恩之子　　

·出演了尼古拉斯·凯奇的导演处作女《索尼》(2002) ——Sonny恰好是他的父亲詹姆斯·凯恩在《教父》中出演角色的名字，而《教父》的导演也恰巧是凯的奇叔叔弗朗西斯·福特·科波拉。　　

·制片人Ronnie Caan的外甥　　

·年轻时成立过一个叫"The Whooliganz"的说唱二人组。1993年出过一只单曲叫"Put Your Handz Up"。他艺的名叫"Mad Skillz"。搭档曾是The Alchemist ，现在是个顶尖hip-hop制人作。　　

·1988年，小斯科特曾和经父亲斯科特·凯恩一起接受了Playboy TV的电视采访。　　

·同时期和安吉丽娜·朱莉一起好在莱坞的Beverly Hills High School学上，后来二人在2000年影片《极速60秒》中有过合作。　　

·曾考被虑作为通缉英雄中的“Derek”一角　　

·拍摄《校园蓝调》的场一戏之时本来只需要女演员裸露，可是斯科特觉得“如此性感”，自就己“也开始脱了”。　　

·有一个父同异母的姐姐Tara Caan.　　

·三个同父异母的弟弟分别是Alexander James Caan (生于1991)、Jacob Nicholas Caan (生于1995) 和 James Arthur Caan (生于1998).　　

·在杉洛矶 Playhouse West学习过表演。

[On acting in the moment] I think all the greats really did that. If you watch Brando, if you watch McQueen, every scene you could see that they were doing something and that's why it seemed so human and so real as opposed to actors trying to find an emotion or play that emotion when the cameras are up and the lights are on it's hard to settle in and have a real moment. I think the only real way to do it is to have an objective for what you're doing in the scene.　　

When I was a kid, I was always an athlete. I played a lot of sports. I played football, basketball, baseball and soccer. My dad was super into athletics, so that's what I did as a kid. I played sports. When I was 11 or 12, I stopped wanting to play football, basketball and baseball and I started smoking weed and hanging out with the 'bad kids'. I wanted to do anything that was rebellious. My old man hated skateboarding and surfing. He was a team sports player. The individuality of it is what drew me to skating and surfing. It was a 'Fuck you!' at the time. I know that skateboarding and surfing have been around a long time, but it wasn't like it is now. Surfing now is like a high school sport. Everyone surfs and everyone skateboards. Back then, if you skated, you were definitely one of the bad kids. If you surfed, you were a stoner, so you were one of the bad kids. At the time, I wanted to be like that. I wanted to be rebellious. I didn't want to fit in. I wanted to be a punk. When we'd go off and skate or surf, we were doing our own thing. There was nobody standing over our backs, watching us. There was no one judging us. It was just about one-upping each other all the time.　　

My dad didn't work on a lot on movies when I was growing up. He stopped working for fifteen years. From the time I was five until I was fifteen, I didn't know who he was as an actor. He was just my dad. He wasn't off on movie sets when I was a kid. He hung out with me. He was also a rebellious guy. His whole life had a lot of ups and downs. To answer your question, yeah, he was the shit; but to me, he was just my dad. I didn't know him as James Caan, the big movie actor. As a kid, I never got to see any of his movies because they were all rated R. I didn't see The Godfather until I was 11 years old. When they shot him, I was like, 'This sucks.' It was fucked up. It was weird. I turned it off. It bummed me out. Now I look back and watch his movies and I'm like, 'Damn. He was the shit.'　　

My old man was very strict about if you were going to do something, be good at it. Be the best at it or don't do it. Anyone can work hard and have God-given talent, but it's a shame when people have it and don't use it. You have to use all aspects of it. You have to be good at it and work harder than the next man. He always instilled that in me. Even when I was a kid, he'd say, 'If you're going to do something, do it right, do it hard and be passionate about it. Do it good or don't do it all, because there is always someone else that wants to play harder than you.'　　

The reason I started writing movies was because I kept getting parts that I just kind of stepped into. I didn't have to do a lot of work and I ended up getting sort of bored. When I first started acting, all I did was work on plays and spend a lot of hours in the theater. I was immersing myself in what I was doing. I wanted to be the best at it. I was like, 'I'm going to do this and be the best actor in the world.' Then I got into the movie business and maybe once every three years, I'd get a part that I could actually sink my teeth into. The reason I started writing was because I didn't always get those parts. I figured I could write myself plays and perform things that I felt strongly about. That set me off on writing and directing. I ended up thinking, 'I can do this too.' I got really passionate about writing and directing. And now that I'm in my early 30s, I'm getting parts that I can really sink my teeth into it. Now I can go back to what really got me into acting, when it was something that I was super passionate about.　　

(2001) If you love acting and you've ever experienced theater, then you know that in a movie it's almost impossible to live out that experience, unless you're a Pacino or a De Niro or somebody who gets to pick their parts. It's very rare that you get a part that at the end of the day you feel like you've really lived it out, and for me going back and doing theater is where I get to do that. I realized that over the past couple of years, and I hope to God I never lose that, and I never rest on my laurels　　

(2001) I'll go do anybody's movie if I find something I like in it, I'll say, 'Let's go do it.' Good, bad mediocre or whatever it is, if a director wants me in his movie, I take it as a compliment. And at the end of the day, if the movie's no good, I'll live to fight another day.　　

When I was 17-years-old, I was in the music business. I was out on the 1993 Soul Assassins Tour and there was this director named Mitch Marcus who had heard about me, so he came and saw the show. He thought I'd be right for a part in his movie. He said, 'Do you want to come and audition for this movie?' I said, 'No, that's not my thing.' Then I read the script. It was about this 17-year-old punk kid that gets out of juvenile hall and rides his motorcycle and carries a gun. Then I was like, 'Okay. I'll come in and audition.' I ended up getting the part. It was a movie called A Boy Called Hate. It's not the greatest movie ever made, but once I got on that movie set, I was like, 'Okay, this is what I'm going to do for the rest of my life.' I was going to be a grip or an actor or writer or whatever I had to do to be on a movie set. Then I went straight to a theater school and studied for the next ten years. I started studying at Playhouse West in the Valley when I was 17-years-old. I started writing and directing plays. That's been my center for acting for the last fifteen years.