Sean Galuszka个人资料
Actor, Singer/Songwriter Sean Galuszka hails from Central NY with a BS in Acting/Directing from Syracuse University. He spent a semester abroad at the London Royal Studios studying Classical theatre, Shakespeare, Fringe theatre and music.
Upon graduating, he landed the lead role "Jean" in the critically acclaimed PBS AMERICAN PLAYHOUSE presentation of MISS JULIE. After the project wrapped, Sean decided to travel...the entire United States.
He packed a VW van and covered a twenty-state tour in ten months playing guitar and performing his unique blend of spoken word and acoustic rock from NYC to Houston to Los Angeles. Sean recently guest-starred on ABC's MIRACLES playing "Garth", a local rocker. Producer David Greenwalt was so impressed with Sean's original music that the show licensed two of his songs.
Among his growing credits, Sean also wrote, produced and starred in the award winning short film HOW MUCH which screened in Los Angeles at Laemmle's Sunset 5 Theater in October 2001 with Girlfight. The film was under consideration for the 2001 Academy Awards for best dramatic short and was voted Audience Favorite at both the Los Angeles International Film Festival and CineVegas. His film also earned the Grand Jury Prize at the Atlantic City Film Festival. Susan Lambert directed the dark comedy-drama.
Sean's performance broke box office records in the LA premiere smash hit The Complete Works Of Wm Shkspr (Abridged) at the Globe Playhouse. The show became Los Angeles' longest running comedy. A special performance of the hilarious Romeo and Juliet segment was requested in Washington DC for Tipper and Vice President Al Gore. Sean also starred as "Feste" in An Appalachian Twelfth Night, Dancing Barefoot's second major Shakespeare project. Robert L. Williams' original adaptation aligned rich, traditional mountain music with the poetry of Shakespearean verse by setting Twelfth Night in an isolated coal-mining town in the thirties. The show earned a Drama Critic's Circle nomination as well as remaining on the LA Times Critic's Choice for its entire run.
